![]() ![]() Rendezvous’ new “Music Mode” captures the full tonality of audio during live musical events, such as concerts, performances, and worship services. Capture high-quality audio from instruments with Rendezvous Music Mode More detailed benchmark results and testing methodology will be posted in a separate blog. The new Wirecast 15 software, when tested in various broadcast production and live streaming scenarios, used up to 60% fewer CPU resources and up to 50% fewer GPU resources, freeing up computing power to enable complex workflows. There’s also improved support for 4K 60 fps playback and streaming. In addition to using fewer CPU resources, the system’s newly improved GPU efficiency also gives broadcasters better, faster playback of professionally produced video content. Learn more about working with 4K camera sources here. Wirecast 15 now uses less computer processing power to run live shows and perform compute-intensive tasks, like switching between high-resolution video sources. More efficient and reliable live-streaming Stream live to YouTube, Facebook, and more simultaneously, with ease and flexibility using the new Wirecast 15 live streaming and video production software. The Wirecast brand empowers users with professional tools and exceptional encoding for broadcast-quality video streaming with limitless creative freedom. With these impactful upgrades, Telestream addresses user feedback and concerns while staying true to the system’s core philosophy. ![]() In this blog, we’ll look at the key modifications that work in tandem to upgrade Wirecast’s efficiency, stability, and reliability, starting with the platform’s optimized efficiency. Let me know if you need more/better guidance.With the release of Wirecast 15, professional live streaming software now empowers users with greater CPU and GPU efficiency, flexible subscription plans, new social media content moderation, expanded production and monitoring tools, improved 4K support, a dedicated Music Mode for Rendezvous, and an improved user interface (UI) with bigger, brighter fonts, and tally lights. There wasn't much information about this so there was a lot of trial and error. It took me and another AV guy two months to figure this out on our own. I know this sounds complicated, but when you do it a couple times it gets easier. Then we have an IP source which talks to Desktop Presenter and sends us all the Proclaim stuff. So inside of WireCast we have the camera sources, which all use the main cameras audio. The main camera will carry the audio to his computer. ![]() We have a BlackMagic video capture card which allows us to hook up the cameras to this computer. The Streaming computer runs WireCast only. Instead we have all the audio routed to the soundboard and then into the main camera. DP is set to capture the secondary monitor and we do not have it capturing audio because it's too delayed. It is also hooked up to a primary monitor and secondary monitor (primary for the operator and secondary for all the screens in the sanctuary). The Presentation computer runs Proclaim and Desktop Presenter. One computer is used as presentation/audio, and the second is only used to stream. We use a software called WireCast to stream the services however, you could also use this to broadcast to monitors and screens in the church. Our church does this every Sunday, but not in the way you're thinking. ![]()
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